I am thy poster for this week. I've had meetings and students in my office all day and now am taking a batch of students to the Drop Inn Shelter in Cincinnati, so won't have the question up by 5; I will post it first thing in the morning unless I can do it later when I return from Cinci. In the meantime, to aid thy reading of Frye:
from the glossary to Anatomy of Criticism:
EPOS: the literary genre in which the radical [fundamental] of presentation is the author or minstrel as oral reciter, with a listening audience in front of him.
LOW MIMETIC: A mode of literature in which the characters exhibit a power of action which is roughly on our own level, as in most comedy and realistic fiction [this is opposed to HIGH MIMETIC, which refers to literature in which the central characters are above our own level of power and authority]
LYRIC: A literary genre characterized by the assumed concealment of the audience from the poet and by the predominance of an associational rhythm distinguishable both from recurrent metre and from semantic or prose rhythm.
MODE: A conventional power of action assumed about the chief characters in fictional literature, or the corresponding attitude assumed by the poet toward his audience in thematic literature. Such modes tend to succeed one another in historical sequence.
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